Thirteen Tales from Urban Bohemia [Bonus CD]
Initial pressings included a limited edition bonus disc featuring rare B-sides and live tracks.
The Dandy Warhols: Courtney Taylor-Taylor (vocals, guitar); Pete Holmstrom (guitar); Zia McCabe (keyboards, bass); Brent DeBoer (drums).
Additional personnel: Anton Newcombe (guitar, strings); Troy Stewart (slide guitar); Kevin Ritchie (banjo); Eric Matthews, Vince di Fiore (trumpet); Joe Kaczmarek, Erik Gavriluk (organ); Phil Baker (upright bass); DJ Swamp (scratches); Meg Bobbitt (background vocals).
Producers: Courtney Taylor-Taylor, Gregg Williams, Sardy, Clark Styles.
For their third album, everyone's favorite Portland quartet asks you to break out the bong as they continue down the same woozy musical paths trod by Primal Scream and The Velvet Underground. Fronted by the always-insouciant Courtney Taylor, the Dandy Warhols mine a fertile vein of dream pop that includes forays into atmospheric country twang ("The Gospel"), Jesus & Mary Chain-like shoe-gazing ("Horse Pills"), and psychedelia with both Middle Eastern ("Mohammed") and Burt Bacharach-like ("Godless") touches.
Proving that imitation is the sincerest form of flattery, this very American band manage to sound like Squeeze ("Get Off"), Elastica ("Shakin'"), and Jonathan Richman fronting Blur following a few too many pulls on a hookah ("Solid"). The one time where the band manage to emulate themselves is on the driving "Bohemian Like You," a number that serves as a follow-up to 1997's "Not If You Were the Last Junkie on Earth." Throughout THIRTEEN, any sleepy sounding fuzz guitar or laid-back presentations are superseded by the unmistakable pop chops of the Dandy Warhols.
The Dandy Warhols: Courtney Taylor-Taylor (vocals, guitar); Pete Holmstrom (guitar); Zia McCabe (keyboards, bass); Brent DeBoer (drums).
Additional personnel: Anton Newcombe (guitar, strings); Troy Stewart (slide guitar); Kevin Ritchie (banjo); Eric Matthews, Vince di Fiore (trumpet); Joe Kaczmarek, Erik Gavriluk (organ); Phil Baker (upright bass); DJ Swamp (scratches); Meg Bobbitt (background vocals).
Producers: Courtney Taylor-Taylor, Gregg Williams, Sardy, Clark Styles.
For their third album, everyone's favorite Portland quartet asks you to break out the bong as they continue down the same woozy musical paths trod by Primal Scream and The Velvet Underground. Fronted by the always-insouciant Courtney Taylor, the Dandy Warhols mine a fertile vein of dream pop that includes forays into atmospheric country twang ("The Gospel"), Jesus & Mary Chain-like shoe-gazing ("Horse Pills"), and psychedelia with both Middle Eastern ("Mohammed") and Burt Bacharach-like ("Godless") touches.
Proving that imitation is the sincerest form of flattery, this very American band manage to sound like Squeeze ("Get Off"), Elastica ("Shakin'"), and Jonathan Richman fronting Blur following a few too many pulls on a hookah ("Solid"). The one time where the band manage to emulate themselves is on the driving "Bohemian Like You," a number that serves as a follow-up to 1997's "Not If You Were the Last Junkie on Earth." Throughout THIRTEEN, any sleepy sounding fuzz guitar or laid-back presentations are superseded by the unmistakable pop chops of the Dandy Warhols.
$3.58
Original: $11.95
-70%Thirteen Tales from Urban Bohemia [Bonus CD]—
$11.95
$3.58
Description
Initial pressings included a limited edition bonus disc featuring rare B-sides and live tracks.
The Dandy Warhols: Courtney Taylor-Taylor (vocals, guitar); Pete Holmstrom (guitar); Zia McCabe (keyboards, bass); Brent DeBoer (drums).
Additional personnel: Anton Newcombe (guitar, strings); Troy Stewart (slide guitar); Kevin Ritchie (banjo); Eric Matthews, Vince di Fiore (trumpet); Joe Kaczmarek, Erik Gavriluk (organ); Phil Baker (upright bass); DJ Swamp (scratches); Meg Bobbitt (background vocals).
Producers: Courtney Taylor-Taylor, Gregg Williams, Sardy, Clark Styles.
For their third album, everyone's favorite Portland quartet asks you to break out the bong as they continue down the same woozy musical paths trod by Primal Scream and The Velvet Underground. Fronted by the always-insouciant Courtney Taylor, the Dandy Warhols mine a fertile vein of dream pop that includes forays into atmospheric country twang ("The Gospel"), Jesus & Mary Chain-like shoe-gazing ("Horse Pills"), and psychedelia with both Middle Eastern ("Mohammed") and Burt Bacharach-like ("Godless") touches.
Proving that imitation is the sincerest form of flattery, this very American band manage to sound like Squeeze ("Get Off"), Elastica ("Shakin'"), and Jonathan Richman fronting Blur following a few too many pulls on a hookah ("Solid"). The one time where the band manage to emulate themselves is on the driving "Bohemian Like You," a number that serves as a follow-up to 1997's "Not If You Were the Last Junkie on Earth." Throughout THIRTEEN, any sleepy sounding fuzz guitar or laid-back presentations are superseded by the unmistakable pop chops of the Dandy Warhols.
The Dandy Warhols: Courtney Taylor-Taylor (vocals, guitar); Pete Holmstrom (guitar); Zia McCabe (keyboards, bass); Brent DeBoer (drums).
Additional personnel: Anton Newcombe (guitar, strings); Troy Stewart (slide guitar); Kevin Ritchie (banjo); Eric Matthews, Vince di Fiore (trumpet); Joe Kaczmarek, Erik Gavriluk (organ); Phil Baker (upright bass); DJ Swamp (scratches); Meg Bobbitt (background vocals).
Producers: Courtney Taylor-Taylor, Gregg Williams, Sardy, Clark Styles.
For their third album, everyone's favorite Portland quartet asks you to break out the bong as they continue down the same woozy musical paths trod by Primal Scream and The Velvet Underground. Fronted by the always-insouciant Courtney Taylor, the Dandy Warhols mine a fertile vein of dream pop that includes forays into atmospheric country twang ("The Gospel"), Jesus & Mary Chain-like shoe-gazing ("Horse Pills"), and psychedelia with both Middle Eastern ("Mohammed") and Burt Bacharach-like ("Godless") touches.
Proving that imitation is the sincerest form of flattery, this very American band manage to sound like Squeeze ("Get Off"), Elastica ("Shakin'"), and Jonathan Richman fronting Blur following a few too many pulls on a hookah ("Solid"). The one time where the band manage to emulate themselves is on the driving "Bohemian Like You," a number that serves as a follow-up to 1997's "Not If You Were the Last Junkie on Earth." Throughout THIRTEEN, any sleepy sounding fuzz guitar or laid-back presentations are superseded by the unmistakable pop chops of the Dandy Warhols.
