Man on the Moon: The End of Day
Personnel: Andrew VanWyngarden, Ben Goldwasser (vocals); Alain Whyte (guitar); Larry Gold (strings); Jeff Bhasker (keyboards, background vocals).
Audio Mixer: Manny Marroquin.
Recording information: Avex Studios, Honolulu, HI; Chung King Studios, New York, NY; Jim Henson Studios, Hollywood, CA; Record Plant, Hollywood, CA; The Broski Room, New York, NY.
Director: Scott Mescudi.
Illustrator: Bill Sienkiewicz.
Kid Cudi is a fascinating rapper, claimed by the backpackers for his work with Kanye West on 808s & HEARTBREAK but equally loved by the mash-up club kids who went ape for his "Day N Nite" single, especially in its nu-disco remix from Crookers. His debut album was deep in the category of "much anticipated" as soon as it was announced, but when the promised game changer finally arrived, it became obvious that Cudi had already changed the game. With its narration from Common and a track list broken into five "acts," MAN ON THE MOON: THE END OF DAY is almost as conceptual as its name implies, kicking off with a spaced-out slow roller coated in strings while Cudi states "Welcome, you're in my dream now." What follows is Pink Floyd-styled story where the real world pain of "Soundtrack 2 My Life" mutates into sci-fi fantasies from the dark side of the moon. Along the way, brilliant samples--like a bit of OMD's esoteric album DAZZLE SHIPS--and innovative sounds from Cudi and special guests Emile, Ratatat, and MGMT slowly shuffle the listener through the man's spliff-fueled exploration of space. This first official release is a soul searcher and may require more patience than your everyday debut. Still, the chilly, complicated MAN ON THE MOON perfects the futuristic bleak-beat hip-hop Kanye purposed a year earlier, and rewards the listener with every tripped-out return.
Audio Mixer: Manny Marroquin.
Recording information: Avex Studios, Honolulu, HI; Chung King Studios, New York, NY; Jim Henson Studios, Hollywood, CA; Record Plant, Hollywood, CA; The Broski Room, New York, NY.
Director: Scott Mescudi.
Illustrator: Bill Sienkiewicz.
Kid Cudi is a fascinating rapper, claimed by the backpackers for his work with Kanye West on 808s & HEARTBREAK but equally loved by the mash-up club kids who went ape for his "Day N Nite" single, especially in its nu-disco remix from Crookers. His debut album was deep in the category of "much anticipated" as soon as it was announced, but when the promised game changer finally arrived, it became obvious that Cudi had already changed the game. With its narration from Common and a track list broken into five "acts," MAN ON THE MOON: THE END OF DAY is almost as conceptual as its name implies, kicking off with a spaced-out slow roller coated in strings while Cudi states "Welcome, you're in my dream now." What follows is Pink Floyd-styled story where the real world pain of "Soundtrack 2 My Life" mutates into sci-fi fantasies from the dark side of the moon. Along the way, brilliant samples--like a bit of OMD's esoteric album DAZZLE SHIPS--and innovative sounds from Cudi and special guests Emile, Ratatat, and MGMT slowly shuffle the listener through the man's spliff-fueled exploration of space. This first official release is a soul searcher and may require more patience than your everyday debut. Still, the chilly, complicated MAN ON THE MOON perfects the futuristic bleak-beat hip-hop Kanye purposed a year earlier, and rewards the listener with every tripped-out return.
$7,800.00
Original: $26,000.00
-70%Man on the Moon: The End of Day—
$26,000.00
$7,800.00Description
Personnel: Andrew VanWyngarden, Ben Goldwasser (vocals); Alain Whyte (guitar); Larry Gold (strings); Jeff Bhasker (keyboards, background vocals).
Audio Mixer: Manny Marroquin.
Recording information: Avex Studios, Honolulu, HI; Chung King Studios, New York, NY; Jim Henson Studios, Hollywood, CA; Record Plant, Hollywood, CA; The Broski Room, New York, NY.
Director: Scott Mescudi.
Illustrator: Bill Sienkiewicz.
Kid Cudi is a fascinating rapper, claimed by the backpackers for his work with Kanye West on 808s & HEARTBREAK but equally loved by the mash-up club kids who went ape for his "Day N Nite" single, especially in its nu-disco remix from Crookers. His debut album was deep in the category of "much anticipated" as soon as it was announced, but when the promised game changer finally arrived, it became obvious that Cudi had already changed the game. With its narration from Common and a track list broken into five "acts," MAN ON THE MOON: THE END OF DAY is almost as conceptual as its name implies, kicking off with a spaced-out slow roller coated in strings while Cudi states "Welcome, you're in my dream now." What follows is Pink Floyd-styled story where the real world pain of "Soundtrack 2 My Life" mutates into sci-fi fantasies from the dark side of the moon. Along the way, brilliant samples--like a bit of OMD's esoteric album DAZZLE SHIPS--and innovative sounds from Cudi and special guests Emile, Ratatat, and MGMT slowly shuffle the listener through the man's spliff-fueled exploration of space. This first official release is a soul searcher and may require more patience than your everyday debut. Still, the chilly, complicated MAN ON THE MOON perfects the futuristic bleak-beat hip-hop Kanye purposed a year earlier, and rewards the listener with every tripped-out return.
Audio Mixer: Manny Marroquin.
Recording information: Avex Studios, Honolulu, HI; Chung King Studios, New York, NY; Jim Henson Studios, Hollywood, CA; Record Plant, Hollywood, CA; The Broski Room, New York, NY.
Director: Scott Mescudi.
Illustrator: Bill Sienkiewicz.
Kid Cudi is a fascinating rapper, claimed by the backpackers for his work with Kanye West on 808s & HEARTBREAK but equally loved by the mash-up club kids who went ape for his "Day N Nite" single, especially in its nu-disco remix from Crookers. His debut album was deep in the category of "much anticipated" as soon as it was announced, but when the promised game changer finally arrived, it became obvious that Cudi had already changed the game. With its narration from Common and a track list broken into five "acts," MAN ON THE MOON: THE END OF DAY is almost as conceptual as its name implies, kicking off with a spaced-out slow roller coated in strings while Cudi states "Welcome, you're in my dream now." What follows is Pink Floyd-styled story where the real world pain of "Soundtrack 2 My Life" mutates into sci-fi fantasies from the dark side of the moon. Along the way, brilliant samples--like a bit of OMD's esoteric album DAZZLE SHIPS--and innovative sounds from Cudi and special guests Emile, Ratatat, and MGMT slowly shuffle the listener through the man's spliff-fueled exploration of space. This first official release is a soul searcher and may require more patience than your everyday debut. Still, the chilly, complicated MAN ON THE MOON perfects the futuristic bleak-beat hip-hop Kanye purposed a year earlier, and rewards the listener with every tripped-out return.
